"Life in Trinidad as described by Mr. Naipaul through the eyes of a "street arab" in "Miguel Street" is enchanting, mysterious, varied and richly comic. His happy-go lucky community, in what to the stranger's eye would be a slum, abounds in eccentric characters: indeed everyone is eccentric, and tolerant of other eccentrics." - The ScotsmanLife in Trinidad as described through the eyes of a street arab.

Moving beyond travelogue, V. S. Naipaul's The Masque of Africa considers the effects of belief (in indigenous animisms, the foreign religions of Christianity and Islam, the cults of leaders and mythical history) upon the progress of African civilization. Beginning in Uganda, at the centre of the continent, Naipaul's journey takes in Ghana and Nigeria, the Ivory Coast and Gabon, and ends, as the country does, in South Africa. Focusing upon the theme of belief - though sometimes the political or economical realities are so overwhelming that they have to be taken into account - Naipaul examines the fragile but enduring quality of the old world of magic. To witness the ubiquity of such ancient ritual, to be given some idea of its power, was to be taken far back to the beginning of things. To reach that beginning was the purpose of this book. 'The quality of Naipaul's writing - simple, concise, engaging - rarely varies . . . Above all, Naipaul's latest African journey is eyewitness reporting at its best' Time

The second book in V. S. Naipaul's acclaimed Indian trilogy. In 1964 V. S. Naipaul published An Area of Darkness, his semi-autobiographical account of a year in India. Two visits later, prompted by the Emergency of 1975, he came to write India: A Wounded Civilization. In this work he casts a more analytical eye than before over Indian attitudes, while recapitulating and further probing the feelings aroused in him by this vast, mysterious, and agonized country. What he saw and heard - evoked so superbly and vividly in these pages - reinforced in him a conviction that India, wounded by a thousand years of foreign rule, has not yet found an ideology of regeneration. A work of fierce candour and precision, it is also a generous description of one man's complicated relationship with the country of his ancestors. 'A devastating work, but proof that a novelist of Naipaul's stature can often define problems quicker and more effectively than a team of economists and other experts' The Times

At the centre of this extraordinary historical narrative are two linked themes: the grinding down of the aborigines during the long rivalries of the quest for El Dorado, the mythical kingdom of gold; and, two hundred years later, the man-made horror of the new slave colony. In The Loss of El Dorado, V. S. Naipaul shows how the alchemic delusion of El Dorado drew the small island of Trinidad into the vortex of world events, making it the object of Spanish and English colonial designs and a Mecca for treasure-seekers, slave-traders, and revolutionaries. And through an accumulation of casual, awful detail, he takes us as close as we can get to day-to-day life in the Caribbean slave plantations - at the time thought to be more brutal than their American equivalents. In this brilliantly researched book, living characters large and small are rescued from the records and set in a larger, guiding narrative - about the New World, empire, African slavery, revolution - which is never less than gripping.

Among the Believers is V. S. Naipaul's classic account of his journeys through Iran, Pakistan, Malaysia, and Indonesia; 'the believers' are the Muslims he met on those journeys, young men and women battling to regain the original purity of their faith in the hope of restoring order to a chaotic world. It is a uniquely valuable insight into modern Islam and the comforting simplifications of religious fanaticism. 'This book investigates the Islamic revolution and tries to understand the fundamentalist zeal that has gripped the young in Iran and other Muslim countries . . . He is a modern master.' - Sunday Times 'His level of perception is of the highest, and his prose has become the perfect instrument for realizing those perceptions on the page. His travel writing is perhaps the most important body of work of its kind in the second half of the century.' - Martin Amis, author of Time's Arrow.

In 1960 the government of Trinidad invited V. S. Naipaul to revisit his native country and record his impressions. In this classic of modern travel writing he has created a deft and remarkably prescient portrait of Trinidad and four adjacent Caribbean societies-countries haunted by the legacies of slavery and colonialism and so thoroughly defined by the norms of Empire that they can scarcely believe that the Empire is ending.
In The Middle Passage, Naipaul watches a Trinidadian movie audience greeting Humphrey Bogart's appearance with cries of "That is man " He ventures into a Trinidad slum so insalubrious that the locals call it the Gaza Strip. He follows a racially charged election campaign in British Guiana (now Guyana) and marvels at the Gallic pretension of Martinique society, which maintains the fiction that its roads are extensions of France's "routes nationales." And throughout he relates the ghastly episodes of the region's colonial past and shows how they continue to inform its language, politics, and values. The result is a work of novelistic vividness and dazzling perspicacity that displays Naipaul at the peak of his powers.

'"In a Free State" was conceived in 1969 as a sequence about displacement. There was to be a central novel, set in Africa, with shorter surrounding matter from other places. The shorter pieces from these varied places were intended to throw a universal light on the African material.

But then, as the years passed and the world changed, and I felt myself less of an oddity as a writer, I grew to feel that the central novel was muffled and diminished by the surrounding material and I began to think that the novel should be published on its own. This is what, thirty-seven years after its first publication, my publisher is doing in this edition.' V.S. Naipaul

"In a Free State" is set in Africa, in a place like Uganda or Rwanda, and its two main characters are English. They had once found liberation in Africa. But now Africa is going sour on them. The land is no longer safe, and at a time of tribal conflict they have to make a long drive to the safety of their compound. At the end of this drive - the narrative tight, wonderfully constructed, the formal and precise language always instilled with violence and rage - we know everything about the English characters, the African country, and the Idi Amin-like future awaiting it.

This is one of V.S. Naipaul's greatest novels, hard but full of pity. It won the Booker Prize, in its original edition, in 1971.

"A work of great comic power qualified with firm and unsentimental compassion". (Anthony Burgess). "A House for Mr Biswas" is V. S. Naipaul's unforgettable fourth book and the early masterpiece of his brilliant career. Born the wrong way' and thrust into a world that greeted him with little more than a bad omen, Mohun Biswas has spent his forty-six years of life striving for independence. But his determined efforts have met only with calamity. Shuttled from one residence to another after the drowning of his father, for which he is inadvertently responsible, Mr Biswas yearns for a place he can call home. He marries into the domineering Tulsi family, on whom he becomes indignantly dependent, but rebels and takes on a succession of occupations in an arduous struggle to weaken their hold over him and purchase a house of his own. Heartrending and darkly comic, "A House for Mr Biswas" has been hailed as one of the twentieth century's finest novels and this triumph of resilience, persistence and dignity masterfully evokes a man's quest for autonomy against the backdrop of post-colonial Trinidad. "A marvellous prose epic that matches the best nineteenth-century novels". ("Newsweek").

A Way in the World is a vastly innovative novel exploring colonial inheritance through a series of narratives that span continents, swing back and forth between past and present and delve into both autobiography and fiction. V. S. Naipaul offers a personal choice of examples of Spanish and British imperial history in the Caribbean, including an imagined vision of Raleigh's last expedition and an introduction to Francisco de Miranda, a would-be liberator and precursor to Bolivar, which are placed within a context of echoing modernity and framed by two more personal, heavily autobiographical sections sketching the narrator - an eloquent yet humble man of Indian descent who grew up in Trinidad but spent much of his adult life in England and Africa. Meditative and dramatic, these historical reconstructions, imbued with Naipaul's acute perception, drawn with his deft and sensitive touch, and told in his beautifully wrought prose, are transmuted into an astonishing novel exploring the profound and mysterious effect of history on the individual.

Taking its title from the strangely frozen picture by the surrealist painter Giorgio de Chirico, The Enigma of Arrival tells the story of a young Indian from the Caribbean arriving in post-imperial England and consciously, over many years, finding himself as a writer. It is the story of a journey, from one place to another, from the British colony of Trinidad to the ancient countryside of England, and from one state of mind to another, and is perhaps V. S. Naipaul's most autobiographical work. Yet alongside this he weaves a rich and complex web of invention and observation. Finding depth and pathos in the smallest moments - the death of a cottager, the firing of an estate's gardener - Naipaul also comprehends the bigger picture - watching as the old world is lost to the gradual but permanent changes wrought on the English landscape by the march of 'progress'. 'Written with the expected beauty of style . . . Instead of diminishing life, Naipaul ennobles it' Anthony Burgess, Observer

A remarkable companion piece to The Writer and the World, Naipaul's previous volume of highly acclaimed essays, Literary Occasions is a stirring contribution to the fading art of the critic, and a revelation of a life in letters. In these eleven extended pieces V. S. Naipaul charts more than half a century of personal enquiry into the mysteries of the written word and of fiction in particular. Here are his boyhood experiences of reading books and his first youthful efforts at writing them; the evolution of his ideas about the extent to which individual cultures shape identities and influence literary forms; observations on Conrad, his literary forebear; the moving preface he wrote to the only book his father ever published; and his reflections on his career, ending with his celebrated Nobel lecture, 'Two Worlds'. 'He is an exceptionally good and perceptive critic - a few passages on Dickens are worth whole books by others - and when he addresses the art of fiction he not only writes beautifully (as always) but with complete humility' New Statesman

A Turn in the South is a reflective journey by V. S. Naipaul in the late 1980s through the American South. Naipaul writes of his encounters with politicians, rednecks, farmers, writers and ordinary men and women, both black and white, with the insight and originality we expect from one of our best travel writers. Fascinating and poetic, this is a remarkable book on race, culture and country. 'Naipaul's writing is supple and fluid, meticulously crafted, adventurous and quick to surprise. And, as usual, there's the freshness and originality of his way of looking at things' Sunday Times 'Naipaul writes as if a modern oracle has chosen to speak through him. It is a tissue of brilliantly recorded hearsay, of intense listening by a man with a remarkable ear' New York Times Review of Books 'This is a journey below the Mason-Dixon line into a society riven by too many defeats; the broken cause of the old Confederacy, and the frustrated anger of Southern blacks whose power is circumscribed . . . It is the best thing outside fiction that I have read on the Old South pregnant with the new since W. J. Cash's The Mind of the South published over fifty years ago' Sunday Telegraph

Taking its title from the strangely frozen picture by the surrealist painter Giorgio de Chirico, The Enigma of Arrival tells the story of a young Indian from the Caribbean arriving in post-imperial England and consciously, over many years, finding himself as a writer. Part of the Macmillan Collector's Library, a series of stunning, clothbound, pocket-sized classics with gold-foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is introduced by Harvard Professor, Maya Jasanoff. The Enigma of Arrival is the story of a journey, from one place to another, from the British colony of Trinidad to the ancient countryside of England, and from one state of mind to another. Finding depth in the smallest moments - the death of a cottager, the firing of an estate's gardener - V. S. Naipaul also comprehends the bigger picture, as the old world is lost and the English landscape is changed by the march of 'progress'. This is a moving and beautiful novel told with great dignity, compassion and candour.

A classic of modern travel writing, An Area of Darkness is Nobel laureate V.S. Naipaul's profound reckoning with his ancestral homeland. Part of the Macmillan Collector's Library; a series of stunning, clothbound, pocket sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is introduced by internationally acclaimed author Paul Theroux. Traveling from the bureaucratic morass of Bombay to the ethereal beauty of Kashmir, from a sacred ice cave in the Himalayas to an abandoned temple near Madras, Naipaul encounters a dizzying cross-section of humanity: browbeaten government workers and imperious servants, a suavely self-serving holy man and a deluded American religious seeker. An Area of Darkness also abounds with Naipaul's strikingly original responses to India's paralyzing caste system, its acceptance of poverty and squalor, and the conflict between its desire for self-determination and its nostalgia for the British raj. This may be the most elegant and passionate book ever written about the subcontinent.

During forty years of travel, V. S. Naipaul has created a wide-ranging body of work, an exceptional and sustained meditation on our world. Now his finest pieces of reflection and reportage - many of which have been unavailable for some time - are collected in one volume. With an abiding faith in modernity balanced by a sense of wonder about the past, Naipaul has explored an astonishing variety of societies and peoples through the prism of his experience. Whether writing about Indian mutinies and despair, Mobutu's mad reign in Zaire, or the New York mayoral elections, he demonstrates time and again that no one has a shrewder intuition of the ways in which the world works. Infused with a deeply felt humanism, The Writer and the World attests powerfully not only to Naipaul's status as the great English prose stylist of our time but also to his keen, often prophetic, understanding. 'All [of these essays] are worth reading (and rereading), both for the contemporary and historical information and insight they artfully impart and for what they tell us about a uniquely complex writer' Spectator

The third book in V. S. Naipaul's acclaimed Indian trilogy, with a preface by the author. India: A Million Mutinies Now is a truly perceptive work whose insights continue to inform travellers of all generations to India. Much has changed since V. S. Naipaul's first trip to India and this fascinating account of his return journey focuses on India's development since independence. Taking an anti-clockwise journey around the metropolises of India - including Bombay, Madras, Calcutta, and Delhi - Naipaul offers a kaleidoscopic, layered travelogue, encompassing a wide collage of religions, castes, and classes at a time when the percolating ideas of freedom threatened to shake loose the old ways. The brilliance of the book lies in Naipaul's decision to approach this shifting, changing land from a variety of perspectives: the author humbly recedes, allowing the Indians to tell the stories of their own lives, and a dynamic oral history of India emerges before our eyes. 'With this book he may well have written his own enduring monument, in prose at once stirring and intensely personal, distinguished both by style and critical acumen' - Financial Times

V. S. Naipaul's Booker Prize winning novel about displacement, the yearning for the good place in someone else's land and the attendant heartache. Part of the Macmillan Collector's Library, a series of stunning, clothbound, pocket-sized classics with gold-foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is introduced by acclaimed author, Robert McCrum. In a Free State tells the story first of an Indian servant in Washington, who becomes an American citizen but feels displaced. Then of a disturbed Asian West Indian in London who, in jail for murder, has never really known where he is. Then the central novel moves to a fictional African country. There, the central characters have to make the long drive to the safety of their compound. By the end of this drive we know everything about the English characters, the African country and the Idi Amin-like future awaiting it.

A stunning novel of the present moment that takes us into the hearts and minds of those who use terrorism as an ideal and a way of life, and those who aspire to the frightening power of wealth.
Abandoning a life he felt was not his own, Willie Chandran (the hero of Half a Life) moves to Berlin where his sister's radical political awakening inspires him to join a liberation movement in India. There, in the jungles and dirt-poor small villages, through months of secrecy and night marches, Willie -- a solitary, inward man -- discovers both the idealism and brutality of guerilla warfare. When he finally escapes the movement, he is imprisoned for the murder of three policemen. Released unexpectedly on condition he return to England, he attempts to climb back into life in the West, but his experience of wealth, love and despair in London only bedevils him further.
Magic Seeds is a moving tale of a man searching for his life and fearing he has wasted it, and a testing study of the conflicts between the rich and the poor, and the struggles within each. Its spare, elegant prose sizzles with devastating psychological analysis, bleak humour and astonishing characters. Only V. S. Naipaul could have written a novel so attuned to the world and so much a challenge to it.

"From the Hardcover edition."

Set in an unnamed African country, the book is narrated by Salim, a young man from an Indian family of traders long resident on the coast. He believes The world is what it is; men who are nothing, who allow themselves to become nothing, have no place in it. So he has taken the initiative; left the coast; acquired his own shop in a small, growing city in the continent’s remote interior and is selling sundries – little more than this and that, really – to the natives.

This spot, this ‘bend in the river’, is a microcosm of post-colonial Africa at the time of Independence: a scene of chaos, violent change, warring tribes, ignorance, isolation and poverty. And from this rich landscape emerges one of the author’s most potent works – a truly moving story of historical upheaval and social breakdown.

Set in an unnamed African country, V. S. Naipaul's A Bend in the River is narrated by Salim, a young man from an Indian family of traders long resident on the coast. He believes The world is what it is; men who are nothing, who allow themselves to become nothing, have no place in it. So he has taken the initiative; left the coast; acquired his own shop in a small, growing city in the continent's remote interior and is selling sundries - little more than this and that, really - to the natives. This spot, this 'bend in the river', is a microcosm of post-colonial Africa at the time of Independence: a scene of chaos, violent change, warring tribes, ignorance, isolation and poverty. And from this rich landscape emerges one of the author's most potent works - a truly moving story of historical upheaval and social breakdown.

Miguel Street, V. S. Naipaul's first written work of fiction, is set in a derelict corner of Port of Spain, Trinidad, during World War Two and is narrated by an unnamed, precociously observant neighbourhood boy. We are introduced to a galaxy of characters, from Popo the carpenter, who neglects his livelihood to build 'the wild thing without a name', to Man-man, who goes from running for public office to staging his own crucifixion, and the dreaded Big-Foot, the bully with glass tear ducts. As well as the lovely Mrs Hereira, in thrall to her monstrous husband. V. S. Naipaul writes with prescient wisdom and crackling wit about the lives and legends that make up Miguel Street: a living theatre, a world in microcosm, a cacophony of sights, sounds and smells - all seen through the eyes of a fatherless boy. The language, the idioms and the observations are priceless and timeless and Miguel Street overflows with life on every page. This is an astonishing novel about hope, despair, poverty and laughter; and an enchanting and exuberant tribute to V. S. Naipaul's childhood home.

In his first book of non-fiction since 2003, V.S. Naipaul gives us an eloquent, candid, wide-ranging narrative that delves into the sometimes inadvertent process of creative and intellectual assimilation.
Born in Trinidad of Indian descent, a resident of England for his entire adult life, and a prodigious traveller, Nobel Laureate V. S. Naipaul has always faced the challenges of "fitting one civilisation to another." In A Writer's People, he discusses the writers to whom he was exposed early on, Derek Walcott, Flaubert and his own father among them; how Anthony Powell and Francis Wyndham influenced his first encounters with literary culture; what we have retained-and forgotten-of the world portrayed in Caesar's The Gallic War and Virgil's Aeneid; how the writings of Gandhi, Nehru and other Indian writers both reveal and conceal the authors and their nation. And he brings the same scrutiny to bear on his own life: his years in Trinidad; the gaps in his family history; the "private India" kept alive through story, ritual, religion and culture; his ever-evolving reaction to the more complicated and demanding true India he would encounter for the first time when he was thirty.
Part meditation, part remembrance, as elegant as it is revelatory, A Writer's People allows us privileged insight-full of incident, humour and feeling-into the mind of one of our greatest writers.
"He brings to non-fiction an extraordinary capacity for making art out of lucid thought. . . . I can no longer imagine the world without Naipaul's writing."" Los Angeles Times Book Review"

"From the Hardcover edition."

The Mystic Masseur, V. S. Naipaul's first published novel, is the story of the rise and rise of Ganesh, from failed primary school teacher and struggling masseur to author, revered mystic and MBE - a journey equally memorable for its hilarity as its bewildering success. An unforgettable cast of characters witness this meteoric ascent: Ganesh's father-in-law, Ramlogan, whose shop gave the impression that 'every morning someone went over everything in it - scales, Ramlogan, and all - with a greased rag'; his aunt, the Great Belcher, with her troubling wind; his wife Leela, and her fondness for putting a punctuation mark after every word. Soon, Ganesh's small hut is filled with books (1,500, as his wife will attest), and his trousers and shirt disappear to be replaced by more suitable attire for a proper mystic. As 'The Woman Who Couldn't Eat' and 'Lover Boy', the man who fell in love with his bicycle, line up to be cured, it looks like the mystic masseur is surely destined for greatness. In one of the author's finest comic creations we see the immense sensitivity, humour and endlessly inventive imagination that have become the hallmarks of V. S. Naipaul's genius.

One of BBC's 100 Novels That Shaped Our World. Heart-rending and darkly comic, V. S. Naipaul's A House for Mr Biswas has been hailed as one of the twentieth century's finest novels, a classic that evokes a man's quest for autonomy against the backdrop of post-colonial Trinidad. Part of the Macmillan Collector's Library, a series of stunning, clothbound, pocket-sized classics with gold-foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition features an introduction by writer Teju Cole. Mr Biswas has been told since the day of his birth that misfortune will follow him - and so it has. Meaning only to avoid punishment, he causes the death of his father and the dissolution of his family. Wanting simply to flirt with a beautiful woman, he ends up marrying her. But in spite of endless setbacks, Mr Biswas is determined to achieve independence, and so he begins the gruelling struggle to buy a home of his own.

Taking its title from the strangely frozen picture by the surrealist painter Giorgio de Chirico, The Enigma of Arrival tells the story of a young Indian from the Caribbean arriving in post-imperial England and consciously, over many years, finding himself as a writer. It is the story of a journey, from one place to another, from the British colony of Trinidad to the ancient countryside of England, and from one state of mind to another, and is perhaps Naipaul’s most autobiographical work. Yet alongside this he weaves a rich and complex web of invention and observation.

Finding depth and pathos in the smallest moments – the death of a cottager, the firing of an estate’s gardener – Naipaul also comprehends the bigger picture – watching as the old world is lost to the gradual but permanent changes wrought on the English landscape by the march of ‘progress’. This is a moving and beautiful novel told with great dignity, compassion and candour.